diff --git a/DESIGN.md b/DESIGN.md
index 57a1816..583c5ae 100644
--- a/DESIGN.md
+++ b/DESIGN.md
@@ -1,40 +1,43 @@
 # Theme constraints
-The following general constraints are followed as palette options are mapped onto
-concrete themes:
+The following general constraints are followed as palette options are mapped
+onto concrete themes:
 
 + Harshness levels have monotone differences of a single shade. 
-+ "Hard" themes anchor their background to the most extreme shade appropriate for the
-  scheme (i.e., lightest shade for "light," darkest shade for "dark"), ensuring the
-  palette's "monotone width" is fully spanned by the theme options.
-+ App-specific monotone settings have differences of a single shade compared to the
-  system monotone settings.
-+ Shade differences between corresponding background/foreground settings should be
-  constant (e.g., between `bg0` and `fg3`, `bg1` and `fg2`, etc)
++ "Hard" themes anchor their background to the most extreme shade appropriate
+  for the scheme (i.e., lightest shade for "light," darkest shade for "dark"),
+  ensuring the palette's "monotone width" is fully spanned by the theme
+  options.
++ App-specific monotone settings have differences of a single shade compared to
+  the system monotone settings.
++ Shade differences between corresponding background/foreground settings should
+  be constant (e.g., between `bg0` and `fg3`, `bg1` and `fg2`, etc)
 
-The primary goal of these constraints is to ensure each theme in a collection defined
-around a single palette is 1) sufficiently _distinct_, 2) attains sufficient _breadth_
-under the palette, and 3) upholds _relative invariance_ under key properties (e.g.,
-lightness differences).
+The primary goal of these constraints is to ensure each theme in a collection
+defined around a single palette is 1) sufficiently _distinct_, 2) attains
+sufficient _breadth_ under the palette, and 3) upholds _relative invariance_
+under key properties (e.g., lightness differences).
 
 ![How themes are created](images/theme_creation.png)
 
 ## Example
-The following is a natural solution to these constraints, demonstrated on a general
-example setting: a possible useful analogy is a sliding window that, on its own spans a
-given theme's `bg0-fg0` settings, while globally sliding across all available values
-in the palette. If associating integers `0-10` to indices in a list of monotone shades, and
-`bg-fg` is the syntax used to indicate that theme's shade range, we might have the
-following for dark mode themes across harshness levels:
+The following is a natural solution to these constraints, demonstrated on a
+general example setting: a possible useful analogy is a sliding window that, on
+its own spans a given theme's `bg0-fg0` settings, while globally sliding across
+all available values in the palette. If associating integers `0-10` to indices
+in a list of monotone shades, and `bg-fg` is the syntax used to indicate that
+theme's shade range, we might have the following for dark mode themes across
+harshness levels:
 
 ```
 Dark (system) 0-7 ; 1-8 ; 2-9
 Dark (app)    1-8 ; 2-9 ; 3-10
 ```
 
-There are sliding windows at both the system-app level *and* the harshness-level, in a
-sense. Constraints are followed:
+There are sliding windows at both the system-app level *and* the
+harshness-level, in a sense. Constraints are followed:
 
-+ Harshness levels, separated by semicolon, differ by a single shade from hard to soft.
++ Harshness levels, separated by semicolon, differ by a single shade from hard
+  to soft.
 + The hard theme anchors its background to the darkest available shade.
 + Monotones between system and app differ by a single shade.
 + Differences between bg/fg (value of 7) remains constant across all themes.
@@ -64,45 +67,53 @@ App, light
 ```
 
 # Accent contrast
-Each group of biome monotones have nearly identical (WCAG 2) contrast ratios against
-white/black for all lightness levels (ratios identical between biomes). These are
-selected in a heavily constrained OKLCH context, and given the perceptual uniformity
-attached to lightness, we can expect very similar contrast ratios for each accent under
-a given biome lightness (e.g., the `l65` red tone will have the same ratio under the
-grassland, tundra, and savanna monotones).
+Each group of biome monotones have nearly identical (WCAG 2) contrast ratios
+against white/black for all lightness levels (ratios identical between biomes).
+These are selected in a heavily constrained OKLCH context, and given the
+perceptual uniformity attached to lightness, we can expect very similar
+contrast ratios for each accent under a given biome lightness (e.g., the `l65`
+red tone will have the same ratio under the grassland, tundra, and savanna
+monotones).
 
-In terms of selecting accents for themes (by harshness and scheme), what matters is
-at what lightness level all accent colors meet/exceed a particular contrast threshold.
-Again, the ratios themselves are effectively constant across biome monotones, and thus
-dependent entirely on the monotone lightness being used. This of course is determined
-primarily by whether the theme is a light or dark one, and what level of harshness is
-being used. The following are the relevant values for making a decision. We want to
-ensure all accents can reach >4.5 WCAG 2 contrast ratio (the standard requirement for
-small text on the web) against all biome monotones for each theme:
+In terms of selecting accents for themes (by harshness and scheme), what
+matters is at what lightness level all accent colors meet/exceed a particular
+contrast threshold. Again, the ratios themselves are effectively constant
+across biome monotones, and thus dependent entirely on the monotone lightness
+being used. This of course is determined primarily by whether the theme is a
+light or dark one, and what level of harshness is being used. The following are
+the relevant values for making a decision. We want to ensure all accents can
+reach >4.5 WCAG 2 contrast ratio (the standard requirement for small text on
+the web) against all biome monotones for each theme:
 
-+ For BG l20 (harsh, dark) -> l65 is min lightness where all accents have CR >=4.5
-+ For BG l25 (regular, dark) -> l65 is min lightness where all accents have CR >=4.5
-+ For BG l30 (soft, dark) -> l70 is min lightness where all accents have CR >=4.5
++ For BG l20 (harsh, dark) -> l65 is min lightness where all accents have CR
+  >=4.5
++ For BG l25 (regular, dark) -> l65 is min lightness where all accents have CR
+  >=4.5
++ For BG l30 (soft, dark) -> l70 is min lightness where all accents have CR
+  >=4.5
 
-+ For BG l90 (harsh, dark) -> l45 is max lightness where all accents have CR >=4.5
-+ For BG l85 (regular, dark) -> l45 is min lightness where all accents have CR >=4.5
-+ For BG l80 (soft, dark) -> l40 is min lightness where all accents have CR >=4.5
++ For BG l90 (harsh, dark) -> l45 is max lightness where all accents have CR
+  >=4.5
++ For BG l85 (regular, dark) -> l45 is min lightness where all accents have CR
+  >=4.5
++ For BG l80 (soft, dark) -> l40 is min lightness where all accents have CR
+  >=4.5
 
-For the monotone boundaries (l15 and l95, neither of which are possible backgrounds for
-terminal or nvim in the current theme definitions), the relevant lightness levels are
-l60 and l50, respectively.
-
-While not necessary, it feels intuitive for us to shift the accent colors up/down by the
-relative change in monotones across harshness levels. This has led to the choice of l60
-accents for the harsh-dark theme, l65 for regular-dark, and l70 for soft-dark. This
-technically breaks the 4.5 ratio requirement, though, for the harsh theme, so you
-ultimately need to pick one: either soften the contrast constraint, or allow different
-harshness levels to use the same accent lightness. I think either is acceptable, but for
-now I've gone with the former, loosening the contrast to a ratio of >4.0 with respect to
-the background. This allows for the slightly tighter group of accent lightnesses:
-l45-l50-l55 for light, l60-l65-l70 for dark. Note that the "center shade" of the l15-l95
-shade group is l55, meaning these groups are very central (the light triplet could move
-down by one shade step, but we want these accents to be as bright as we can get away
-with; otherwise, they are extremely dull in the light modes, and we thus don't mind bias
-toward a brighter lightness).
+For the monotone boundaries (l15 and l95, neither of which are possible
+backgrounds for terminal or nvim in the current theme definitions), the
+relevant lightness levels are l60 and l50, respectively.
 
+While not necessary, it feels intuitive for us to shift the accent colors
+up/down by the relative change in monotones across harshness levels. This has
+led to the choice of l60 accents for the harsh-dark theme, l65 for
+regular-dark, and l70 for soft-dark. This technically breaks the 4.5 ratio
+requirement, though, for the harsh theme, so you ultimately need to pick one:
+either soften the contrast constraint, or allow different harshness levels to
+use the same accent lightness. I think either is acceptable, but for now I've
+gone with the former, loosening the contrast to a ratio of >4.0 with respect to
+the background. This allows for the slightly tighter group of accent
+lightnesses: l45-l50-l55 for light, l60-l65-l70 for dark. Note that the "center
+shade" of the l15-l95 shade group is l55, meaning these groups are very central
+(the light triplet could move down by one shade step, but we want these accents
+to be as bright as we can get away with; otherwise, they are extremely dull in
+the light modes, and we thus don't mind bias toward a brighter lightness).
diff --git a/THEMES.md b/THEMES.md
index 2777463..b83bc41 100644
--- a/THEMES.md
+++ b/THEMES.md
@@ -1,10 +1,11 @@
 # Themes
-The currently available theme variants across biomes (`default`, `grassland`, `tundra`,
-`savanna`), harshness (`hard`, `default`, `soft`), and scheme (`light`, `dark`) are shown
-below, displaying a few lines from a Python file in Neovim.
+The currently available theme variants across biomes (`default`, `grassland`,
+`tundra`, `savanna`), harshness (`hard`, `default`, `soft`), and scheme
+(`light`, `dark`) are shown below, displaying a few lines from a Python file in
+Neovim.
 
-You can find the 24 raw screenshots for each theme in `images/theme_caps` under the
-repository root (with filenames `<harshness>-<biome>-<scheme>.png`).
+You can find the 24 raw screenshots for each theme in `images/theme_caps` under
+the repository root (with filenames `<harshness>-<biome>-<scheme>.png`).
 
 ## Default (gray) variants
 ![Default light and dark variants](images/biome_variants/default_variants.png)
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